EXPLORING MADNESS: A COMPARATIVE ANALYSIS OF "XALA" BY OUSMANE SEMBÉNE AND "FRAGMENTS" BY AYI KWEI ARMAH

  • Josephine Akosua Bedi University of Cape Coast
  • Beauty Patience Addo Mount Mary College of education, Somanya
  • Gifty Emma Gyima-Aboagye Komenda College of Education

Abstract

Madness in Ousmane Sembéne’s Xala and Ayi Kwei Armah’s Fragment is examined and analyzed through desperations and roles of the minds of characters in these books. A critical attention was been paid to how the human mind is fractured as we walk to and fro even without signs of madness yet within, there is a part of us that exhibit an amount of psychological defect. The paper brings to light Sigmond Freud’s psycho analytic theory on concepts of trauma of colonial madness and mental slavery and psychological implications of some themes in the various books and among us Africans. This paper employed the mental states of El-Hadji’s frustration in Xala and Onipa Baako’s rejection in fragment. Also, polygamy in Africa and its complexities in individual characters cognitive domain was looked at. The paper ends by examining the fact that mental disorder in a man starts from birth, when man has to think by agreeing or disagreeing with elements of creation as a child till, he grows. Either by accepting who he is as a ‘black’ or a ‘white’. But one thing remains a fact…All are intelligent and that all are MAD.

Keywords: Madness, Psychoanalysis, Neourosis, Trauma, Inferiority Complex

Author Biographies

Josephine Akosua Bedi, University of Cape Coast

Department of Art Education

Beauty Patience Addo, Mount Mary College of education, Somanya

Department of Ghanaian language

Gifty Emma Gyima-Aboagye, Komenda College of Education

Department of languages

References

Aidoo, A. A. (1970). Anowa:London.

Armah AK (1969). Fragments. London: Heinemann. All further page references after quotations in the paper are to this edition

Armah, A. K. (1974). Fragments. Boston. Houghton Mifflin.

Bouchard, J. W. (2009). Portrait of a contemporary griot: Orality in the films and novels of Ousmane Sembene. Journal of African Literature and Culture, 6, 49-67.

Darko, A. (2007). Not without flowers. African Books Collective.

Eid, H., & Ghazel, K. (2008). Footprints of Fanon in Gillo Pontecorvo's The Battle of Algiers and Sembene Ousamne's Xala. English in Africa, 35(2), 151-161.

Fanon, F. (1970). Black skin, white masks (pp. 13-30). London: Paladin.

Gibson, N. C. (2021). Decolonizing Madness: The Psychiatric Writings of Frantz Fanon 1. In Fanon, Phenomenology, and Psychology (pp. 23-47). Routledge.

Literary Criticism-Theory and Application. Abraham Kwadwo Okrah

Ousmane, S. (1974). Xala: Paris, Presence Africaine
Published
2023-07-25
How to Cite
Bedi, J. A., Addo, B. P., & Gyima-Aboagye, G. E. (2023). EXPLORING MADNESS: A COMPARATIVE ANALYSIS OF "XALA" BY OUSMANE SEMBÉNE AND "FRAGMENTS" BY AYI KWEI ARMAH. African Journal of Emerging Issues, 5(7), 46 - 56. Retrieved from https://ajoeijournals.org/sys/index.php/ajoei/article/view/422
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Articles